一位专门在别人家浴室里绘制富士山壁画的画家告诉我，他在房地产网站上发现了三间价格十分便宜、挂牌出售的“仓库”，于是我便前去查看。看起来这些建筑似乎从未被作为住宅使用过，但其中配有一间简易厨房，厨房上还留着家居中心购买时的封装胶带，以及一个全新的厕所，这些都成为了“可以作为住宅使用”的实实在在的附加价值。它看上去似乎很方便，但实际上完全达不到住宅应有的性能标准。

A painter who draws Mt. Fuji in someone’s bath told me that he had found three “warehouses” for sale on a real estate site at a bargain price, so I went to see it. It didn’t seem to have been used as a residence, but the fact that it had a simple kitchen with the purchase tape from the home center and a brand-new toilet was a real added value that “can be used as a residence.” It seemed convenient, but it did not meet the performance as a residence at all.

▼项目概览，overview of the project © Yohei Sasakura

▼顶视，top view © Yohei Sasakura

▼鸟瞰，aerial view © Yohei Sasakura

▼建筑外观，building appearance © Yohei Sasakura

基地位于距离大阪湾约200米的一片准工业区。周边区域中，老酒厂、工厂和作坊等设施与独栋住宅、公寓等居住建筑并存。当地一些老人依然居住在木结构房屋中，这些房屋甚至与周边街区没有直接连通，但通过巷道，邻里之间依然保持着相当频繁的交流与往来。

The site is located in a semi-industrial area about 200m from Osaka Bay. In the surrounding area, facilities such as old sake breweries, factories, and workshops coexist with residences such as detached houses and condominiums. Older people continued to live in the wooden houses that were not even connected to the neighboring neighborhood, but there was still a good amount of interaction with the neighbors through the alleys.

▼木结构房屋，wooden houses © Yohei Sasakura

▼木结构房屋细部，wooden house details © Yohei Sasakura

▼巷道，alleys © Yohei Sasakura

现有建筑建于1975年，经历过多次改造，期间既有扩建，也有局部拆减。许多地方都留下了非专业人士施工的痕迹，因此结构状况并不稳定。我能够想象阪神·淡路大地震对它造成的影响，但与此同时，也能从建筑的各个角落感受到它顽强存续至今的力量。

The existing building was built in 1975 and has been renovated many times, and has been expanded and partially reduced. There were many places where amateurs were involved, and it was structurally unstable. I could imagine the impact of the Great Hanshin-Awaji Earthquake, but I could feel the strength of having survived everywhere.

▼入口，entrance © Yohei Sasakura

▼入口，entrance © Yohei Sasakura

由于改造预算极其有限，居住者与朋友们利用每个周末进行DIY施工，花费了一年多时间，逐步将房屋恢复到适宜居住的环境。工程于2020年初春开始。随着时间推移，人们不断体验着从海边吹向山间的风所带来的舒适感，并据此对空间进行营造。到了夏天，铁皮屋顶下变得异常炎热，于是很快在天花内填充了足够的保温材料。

Since the budget for the renovation was extremely limited, the residents and friends spent a little over a year doing DIY work every weekend to restore the house to a livable environment. Construction will start in early spring in 2020. Experience the comfort of the wind blowing as it changes over time from the sea to the mountains. I made it In the summer, it became extremely hot under the tin roof, so we quickly filled the ceiling with sufficient insulation.

▼室内概览，overview of the interior © Yohei Sasakura

▼客厅，living room © Yohei Sasakura

▼书房，study © Yohei Sasakura

▼衣帽间，cloakroom © Yohei Sasakura

到了秋天，外墙仍残留着2018年给近畿地区带来巨大损害的台风所造成的破坏痕迹，因此暂时采用将作为基层材料的木龙骨层层叠加的方式完成外墙处理。到了冬天，房屋已经能够入住，但仍有许多施工尚未完成，于是迎来了第二个春天。

In autumn, the exterior walls, which were still damaged by the typhoon that caused great damage in the Kinki region in 2018, were temporarily finished by overlapping the furrings used as the base material. It was ready to live in in the winter, but there was still a lot of construction left to do, so it was the second spring.

▼厨房，kitchen © Yohei Sasakura

季节不断循环。到了春天，舒适宜人的气候令人心动，于是拆除了离屋（Hanare）一层部分长期未能得到良好防雨保护的屋顶，并安装了一扇可开启的天窗。虽然这处建筑并不符合道路接触条件，但它却与周围各种环境保持着联系。一次次细微的修缮不断将周边环境纳入其中，并逐渐编织出一个能够安居的场所。

The season repeats itself, and in the spring, I was tempted by the comfort, so I removed part of the roof on the first floor of Hanare, which had been badly kept out of the rain, and installed a movable skylight. Although it does not meet the road contact conditions, it is in contact with various surrounding environments. Small repairs involve the surroundings and spin into a place where you can live.

▼一角，a corner © Yohei Sasakura

▼楼梯，staircase © Yohei Sasakura

▼屋顶，roof © Yohei Sasakura

尽管这里只是一个很小的街区，但如果将整个城镇都视作一座房子来看待，便能感受到生活的丰盈与富足。一家人开始新生活后不久，流浪猫也开始频繁造访这里；几个月后，它们甚至开始在夜晚留宿于屋内。猫白天在城市的某个角落活动，实际上也是生活在这个街区之中。通过将自身置于场地特定的环境之中，并不断对其进行修缮，人们能够在既有事物中发现新的价值，并将其传承给下一代。这种实践蕴含着一种近乎蛮荒而原始的开拓精神。

▼轴测图，axonometric diagram © Office for Environment Architecture

Although it is a small block, if you think of the whole town as a house, you can feel rich in life. As soon as the family started a new life, stray cats began to visit the house, and after a few months they began to sleep in the house at night. The cat spends the day somewhere in the city and lives in the city block. By placing oneself in a certain environment at the site and repairing it, there is a barbaric and primitive frontier that discovers the value of working with the existing and inheriting it to the next generation.

▼顶视，top view © Office for Environment Architecture

▼剖面，section © Office for Environment Architecture

Project Name: HOUSE for GONDA
Architecture Firm: Office for Environment Architecture
Website: https://www.ofea.jp/
https://www.instagram.com/yoshinaganorio/
https://shinkenchiku.online/movie/4291/
Contact e-mail: info@ofea.jp
Firm Location: OSAKA JAPAN
Completion Year (if applies):2021
Gross Built Area: 89.39 m2
Project location: Hyogo JAPAN
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Lead Architects: NORIO YOSHINAGA
Photographs: Yohei Sasakura